If one does an internet search for films about Schizophrenia they will be presented with a countable list, meaning, there are few of them. And of those films are any of them accurate depictions of the disease? Among them, is A Beautiful Mind, which is perhaps the most viewed film about Schizophrenia ever. The Oscar-winning film is about John Nash, a Princeton mathematician diagnosed after a psychotic break toward the end of his education. The film was a romanticized explosion. A secret agent pic mixed with Nash’s mathematician genius. Equally as impressive, there is 2014’s Love and Mercy which depicted Brian Wilson’s experience with the illness. While both of these movies have their place, Love and Mercy succeeded where A Beautiful Mind failed. Instead of becoming a box office hit, Love and Mercy was a quiet indie release which showed the reality of Schizophrenia. The film took the depiction of the disease beyond hallucinations, something that most movies about the illness tend to get hung up on. Love and Mercy highlighted Schizophrenia’s cognitive symptoms and showed what life after treatment could look like.
When considering movies about Schizophrenia there tend to be three categories. The first is horror in which the person with Schizophrenia is a villain or a murderer at the whim of their illness. Then original scripts which too often depict the character with Schizophrenia as someone with little to no touch with reality. And finally biopics typically about how Schizophrenia makes the person in the film a genius. These categories can intersect, and often do. They come together to create inaccurate representations of characters with Schizophrenia. There are villains who are geniuses, residents of institutions who have committed heinous acts of violence, artists and academics who have surpassed any other in their respective fields, and people who are so far out of touch with reality they have created entire fantasy worlds to exist within. All these characters have one thing in common: they all have Schizophrenia. These films go as far as to depict Schizophrenia as a defining factor in a character’s extremeness, with the disease being the part of them that drives them to violence or insanity. Yet many people are able to live with the disease undisturbed.
Horror movies are quick to depict evil or detestable main characters as mentally ill, and especially as having Schizophrenia. In this way, films can assert the idea that having Schizophrenia makes a person violent. When in fact, research has found that people with mental illness are more likely to be victims of violence than perpetrators of it (North Carolina State University). Most violent crimes are actually committed by people without mental illness. While anyone has the potential to be violent, society tends to place the blame for incomprehensible acts of violence on people with mental illnesses. No doubt Schizophrenia can be a scary and uncomfortable disease, but the only thing it makes a person more likely to do is to pass away prematurely, leaving people with Schizophrenia at risk for developing many other illnesses, but it does not increase their chances of being violent(SARDAA).
Movies like The Fisher King (1991), Psycho (1960), and Halloween (1978) have an incredibly damaging impact on the way people understand Schizophrenia. All films in which the antagonist, a murderer or serial killer, is either directly or indirectly said to have Schizophrenia. For many people, their only understanding of the disease is from what they see in films like these. And based off this knowledge alone they would have good reason to be scared. Horror films paint a scary picture of mental illness, even if it is inaccurate. Media has such a deep and undying impact on how people understand the world. Bias is easy to plant but difficult to uproot. This means that it could take years to undo the stigmatization that exists because of the ways mental illness and Schizophrenia is depicted in the horror genre.
People with Schizophrenia in original script and movies based on books
In original scripts, and sometimes scripts based on novels, people with Schizophrenia are often completely out of touch with reality. They are frequently residents of a hospital or institution and are often victimized. Abuse and trauma is almost always part of the backstory for the main character. These films can also depict characters with Schizophrenia as living in their own, hallucinatory world. Movies like this include Donnie Darko (2001), K-PAX (2001), Spider (2002), Sucker Punch (2011), and Shutter Island (2010). These movies tend to completely fictionalize the disease, suggesting that having Schizophrenia leaves a person completely disconnected from reality. These movies depict people with Schizophrenia as people lost in a delusion they perceive as real. While delusional thinking and hallucinations are part of the diagnosis, Schizophrenia is rarely so severe that people with it have almost no connection to reality. People with Schizophrenia, while spending time in psychiatric hospitals or even spending extended amounts of time there, very rarely need to live there anymore. With new medications and treatments coming out the all time, people with Schizophrenia have better outlooks than they ever have before.
Biopics, ones like A Beautiful Mind (2001) and Love and Mercy (2014), exclusively depict the subject as a genius but suggest that this genius is due to Schizophrenia. They place the subject of the biopic on a pedestal and posit, isn’t this weird, aren’t they weird, we don’t understand them but they’re a genius. This is familiar with recalling the plot of either aforementioned movie. Both subjects are at the crux of their careers, one a mathematician at Princeton and the other a singer/songwriter/composer for The Beach Boys, who develop Schizophrenia and nearly lose themselves to the disease.
Of course, it is their Schizophrenia which makes them a genius, not their intellect alone, or their years of studying and practicing, and dedication. It is their disease, which is insinuated to be misunderstood and surreal, that is isolating them from others. In biopic films, people with Schizophrenia are put on high because the general public cannot understand them and therefore people with Schizophrenia are othered. Like an oracle or profit, being this type of misunderstood makes you mystical. Yet, Schizophrenia is prevalent enough to make it a fairly common disease and certainly, most people with Schizophrenia are not John Nash or Brian Wilson.
So why this idea that if you are not violent then you are mystified? Why not just normal, why not just average? Wahl in their article: Impact of a Television Film on Attitudes Toward Mental Illness, explains, “Social scientists have long been interested in the possible impact of mass media images on the public and have given considerable attention to false stereotypes of women, minorities, and the elderly. Mental health advocates have urged that attention be extended to another stereotypes group-mentally ill persons. Preliminary research has indicated that mental illness is a common theme in mass media. Stereotypes as mentally ill persons as different or dangerous have also been documented, and there is a strong belief that such stereotypes help maintain stigma which accompanies mental illness,”(Wahl 522). These examples of people with mental illness further perpetuate the incorrect public view in which people who are different are extreme examples of violence, insanity, or genius.
When an entire group of people is boiled down into stereotypes, the resulting concoction breeds discrimination like bacteria. In films, people with Schizophrenia have always been either madmen, monsters, or magicians of intellect. A Schizophrenic is rarely a person; they are sick, violent, and out of touch. Rarely has a diagnosis carried such stigmatization. As time marches on and society distances itself from an era of cruel institutions and lobotomies as a legitimate treatment, mental illness is becoming less stigmatized. However, while the conversation surrounding depression, anxiety, and Bipolar Disorder increases, the same cannot be said about the conversation surrounding Schizophrenia. Mass media, arguably America’s favorite past time, is not helping the cause. In a survey which highlights how people interpret messages about mental illness on television an in film, Borinstein found that, “Americans are more likely to receive information about mental illness from the mass media than from mental health professionals. For example, 87 percent of respondents said that they had seen something about mental illness on television in the past several years. Other sources were newspapers (76 percent), magazines (74 percent), radio (73 percent), family or friends (51 percent), and books (50 percent). Only about three in ten said that they had received information from a mental health professional such as a psychiatrist or psychologist (31 percent) or a physician (29 percent). Americans may be receiving most of their information about mental illness from the news media, but whether they believe what they hear or see from those sources is another issue,”(Borinstein 189). With so much influence from mass media, and such poor portrayal by the same source of information, the general knowledge about serious mental illness like Schizophrenia is tainted.
Consistent misinformation leads to decades of misunderstanding, especially when the majority of the information sourced is inaccurate. The prevalence of Schizophrenia is about one in one-hundred. This makes the disease fairly common. About 3.5 million people worldwide have Schizophrenia. Which means 3.5 million people suffer stigma that is so severe that they might never seek treatment(SARDDA).
Films about mental illness are designed to entertain. People have always been captivated by madness and violence. For decades we have been combining stereotypes about Schizophrenia and mental illness with blockbuster plots. The damage has been done. In order to halt this type of stigmatization, the grossly inaccurate depiction of people with mental illness must be changed. The influence of mass media can be used to help people make informed opinions or at least can be used to generate compassion through accurate representation. Just as dangerous as racism and sexism, ableism and stigma toward mental illness is taking lives.
One trend that has become visible in the difference between earlier films like A Beautiful Mind and more recent examples like Love and Mercy is the clear shift to a more accurate depiction of mental illness and Schizophrenia. This change brings to mind films like Silver Linings Playbook (2012), about Bipolar Disorder and Borderline Personality Disorder. The film gives accurate but difficult images of both illnesses. However, what cannot be dismissed are movies like Split (2016), an atrocious and hurtful suggestion of what Dissociative Identity Disorder (DID) looks like. The film Split featured an antagonist, a villain with DID living with twenty-three personalities. Compelled to kidnap and torture three teenage girls, each of his personalities terrifies his captors in different ways.
It is clear that American culture and understanding is beginning to move past our outdated understanding of serious mental illness like Schizophrenia, but old habits die hard and changes do not happen overnight. Split was so contested that it started a petition which garnered a good deal of signatures begging the movie not be released. That did not happen, and no matter how many signatures, it is doubtful the film would have ever been pulled. A sequel is set to be released. After decades of misrepresentation, it is to no one’s surprise that movies like Split are still being produced. But things are changing and more people are becoming fed up with the rehashed mentally ill villain.
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A Beautiful Mind. Directed by Ron Howard.
Performances Russell Crowe,
Universal Pictures, 2001
Love and Mercy. Directed by Bill Pohlad.
Performances Paul Dano
River Road Entertainment, 2014
The Fisher King. Directed by Terry Gilliam.
Performances Jeff Bridges
TriStar Pictures, 1991
Psycho. Directed by Alfred Hitchcock.
Performances Anthony Perkins
Shamley Productions, 1960
Halloween. Directed by John Carpenter.
Performances Jamie Lee Curtis
Compass International Pictures, 1978
Donnie Darko. Directed by Richard Kelly.
Performances Jake Gyllenhaal
Pandora Cinema, 2001
K-PAX. Directed by Iain Softley.
Performances by Kevin Spacey
IMF Internationale Medien und Film GmbH & Co. 2. Produktions KG, 2001
Spider. Directed by David Cronenberg.
Performances Ralph Fiennes
Odeon Films, 2002
Sucker Punch. Directed by Zack Snyder.
Performances Vanessa Hudgens
Warner Bros., 2011
Shutter Island. Directed by Martin Scorsese.
Performances Leonardo DiCaprio
Paramount Pictures, 2010
Silver Linings Playbook. Directed by David O. Russell.
Performances Bradley Cooper, Jennifer Lawrence
The Weinstein Company, 2012
Split. Directed by M. Night Shyamalan.
Performances James McAvoy
Blinding Edge Pictures, 2016